Skip to main content

Setting Up the Sound: Mark Olitsky, Part 2

Read part 1, "The Banjo Wizard of Cleveland"

* * *

A small part of Mark Olitsky’s distinct sound comes from how he sets up his banjos. He says he likes a deep, bassy sound from a banjo, and he uses heavier strings, a relatively loose head, a low tension tailpiece, and “things to keep as much towards the low end as possible.” You might notice some duct tape if you look at his banjos closely.

Olitsky usually plays one of two banjos. His “jamming” banjo is a Vega Little Wonder with an 11 13/16-inch diameter pot, Fiberskyn head, and a partially fretless neck he says was made at Goose Acres by Bob Smakula and Kevin Enoch.

“At the time that I was buying this banjo, I couldn't afford to buy two banjos and I wanted to try playing a fretless,” Olitsky says. “A fretless plate was put over the fret slots already put in the new neck. My plan was to try my new banjo out as a fretless for a month or two, and then when I was ready, have the plate removed and frets put in. Well, that was probably 25 years ago, and I still haven’t had it changed. I found that the sound achieved on a fretless was something that suited me. I also like to think that I have more control in trying to nuance the notes without frets.”

Olitsky’s other banjo is an S.S. Stewart Thoroughbred, with a fretless fingerboard, an 11-inch pot, skin head, and nylon strings. He usually keeps this banjo tuned down a couple steps, and it has a deeper, quieter sound. This is what he plays at home and feels more comfortable playing in solo situations.

Being Your Own Player
Olitsky suggests that individuality is important to banjo players, and he suggests new players work up their own ways to play a tune.

“The advice that I would give to a new banjo player — advice once given to me — is to use tunes played on fiddle or by a string band — not necessarily on banjo — as a resource for material,” he says. “The banjo is a rhythm as well as a melody instrument and every banjo player will put his or her own take on the rhythm — probably why you will rarely hear two banjos playing in a string band. The idea is to learn a tune and play it the way you would play it — not like another banjo player might.”

He suggests that if you’re trying to work on a tune being played by a fiddle or something other than a banjo, then you are the banjo player.

“You can create your part as you work out the melody,” he adds. “That’s not to say that there aren’t things to learn by watching someone else’s banjo playing, but not to the point where you’re trying to copy them.”

Get to a Festival
Along with creating your own banjo part to a tune, Olitsky stresses going to music festivals to play. While learning from DVDs, tablature, or lessons is fine, he says there is nothing like being in the music.

“My favorite place to play is at festivals,” he continues. “There are so many great players out there and for that three or four days, many of them are concentrated in one spot. That gives me a chance to play in a lot of different jams — many of them with a different spin on old-time music as well as an opportunity to hear how many musicians approach their playing.

“And I wouldn’t want to leave out that this is folk music — community music — and, for me, I can’t think of a nicer community to belong to.”

* * *

Where to Hear Olitsky’s Playing
Olitsky has played in a number of different bands, including the Able Brothers, Bad Dog, JimmyJohnnyJoe and Killer Grits. You can find these albums at places like County Sales and CDBaby, to name a few. Here is a sampling:
  • Bad Dog — “Oldtime Blah Blah Blah”
  • JimmyJohnnyJoe — “Oldtime Fiddle Music and Songs”
  • Killer Grits — “Midnight on the Run”
  • Christian Wig — “Gate to Go Through”
I don't know why it seems every video of Olitsky playing shows him from the back, but here he is again playing the Ohio tune "Big Sciota" at a local gathering:

Comments

  1. fun to read, great idea. I agree that he is a master, fun to listen to like John Hermann and Tom Riccio. I wish i could figure out what they do. It's more than just rhythm, because there's a little melody there too. I once stared at Tom Riccio for a long, long time but still couldn't figure out how he was getting that flat sound so high up the neck on the 1st and 5th fret. As you said, all videos of Olitsky seem taken from his back---way too bad.

    ReplyDelete
  2. Thanks for the comment. Herrmann, Riccio and Olitsky get some similar sounds, but I think they all achieve it a little bit different.

    ReplyDelete

Post a Comment

Popular posts from this blog

The Ultimate Banjo Joke Compendium

This post is dedicated to my friend Joel Specht. Ever since the Olitsky & Moskovitz concert last month, my son has been obsessed with banjo jokes. During one of the MANY tuning breaks, they asked the crowd to fill the time by telling their favorite quips about the old five-string. Joel told many that night. I've been trying to remember them, along with best ones I've heard over the years for when my son asks again, so I thought I'd make this list. Question: What's the difference between a banjo and an onion? Answer: Nobody cries when you cut up a banjo. Question: How do you know if the floor is level? Answer: The banjo player is drooling out of both sides of his mouth. Question: What's the difference between a banjo and trampoline? Answer: You take your shoes off to jump on a trampoline. Question: What's the definition of perfect pitch? Answer: When you can throw a banjo into a dumpster without hitting the sides. Question: How do yo

Clawhammer Picks and You: A Review

Clawhammer picks are a useful tool for increasing volume or to overcome fingernail challenges, such as broken, too short or weak nails. There are all sorts of commercial and homemade solutions available for banjo players, but it can be difficult to decide which options to choose. Thankfully, I've already done some of the work for you. Just to be clear, I prefer my natural fingernail for frailing. However, there was a time when I experimented with regularly using a pick, and there are instances now where I find that a pick is necessary. Today, I'll take you through the five options I've tried. These are all available online at prices ranging from about $1 to $13. Reversed/Reshaped Dunlop Pick ($0.75) This was the most common suggestion before other companies started addressing the gap in the clawhammer pick market. Take a bluegrass pick, flatten it out and wear it backwards. The problem is that it's hard to get the fit right. While Dunlop picks are cheap and r

Summer Blockbusters: Top 10 Banjo Movies

We’re nearing the end of the summer movie season, which this year has included blockbusters like Avengers: Infinity War , Solo: A Star Wars Story , Incredibles 2 and other movies, including some that weren’t produced by Disney. However, none of these films showcases a banjo in any way. It's not like the banjo hasn't been featured on the silver screen throughout film history. The five-string has starred in numerous movies, sometimes in its proper context as a musical instrument and other times as a comedic prop. Whether making a cameo or starring in the hands of the main character, it's well past time to present my Top 10 Banjo Blockbusters: O Brother Where Art Thou? (2000) Written and directed by Joel and Ethan Coen, this movie sucked me into the realm of old-time , bluegrass and country music in general. The banjo is featured in a number of songs on the soundtrack and shows up on screen a few times throughout the movie. Top Banjo Moment: Delmar picks the banjo b