Friday, March 27, 2015

Field Recorders' Collective: An Ohio Old-Time Connection

Don't you just love tax return season? While the bulk of this year's IRS and state tax refunds went to pay for grownup stuff, I squirreled a little bit away to use on new music. I got my own copy of the new Dan Gellert CD/DVD set from Old-Time Tiki Parlour, and then kept the Ohio old-time connection going with four albums from the Field Recorders' Collective, referred henceforth as the FRC.

Great Ohio old-time.
Those four albums were:
Hicks was recorded by Kerry Blech and Joe LaRose. The Goehring disk includes members of the legendary Red Mule String Band, as well as other notable musicians. The Seymour and Plum recordings come from Goehring's field recording collection.

As an Ohio boy, born and raised, these four albums have been on my wishlist for a long time.

Tuesday, March 17, 2015

Banjoversary: Seven-Year Itch

March 24 marks my seventh year playing the banjo. In the past, this date would be spent tallying my lifetime practice hours to see how close I've come to that magical 10,000-hour mark.

Ever since taking up the fiddle, however, those hours have become sparser and sparser. My banjo now spends most of its time hanging on the wall. I'll let my son strum the strings as we pass by its place. He's much gentler now. A year ago, I would hold my breath fearing that he'd snap off the strings.

The extent of my playing these days resides in noodling once or twice a week or the even rarer occasion of playing with friends at a party or festival. I'd much rather spend my free time tackling the beast that is the fiddle.

The fiddle should be on top now.

Friday, February 20, 2015

In the Tiki Parlour with Dan Gellert

For the first time in more than a decade, new recordings of Dan Gellert’s funky take on old-time music have been released. Thanks to the efforts of L.A.-based musician and teacher David Bragger and his newly launched Old-Time Tiki Parlour website, a CD and DVD set are now available to those who have been waiting for something new from Gellert since his 2004 album “Waitin' on the Break of Day,” which has been out of print for years.

Dubbed the “Epic Set,” the Gellert release contains two discs featuring 19 fiddle and banjo tunes and songs, as well as a booklet with extensive liner notes, biographies, art and photos. The entire package was produced, filmed, designed and written by old-time musicians, according to Bragger’s website. The whole shebang has been pre-released via Old-Time Tiki Parlour for $25 and will be available at Amazon, Elderly Instruments and County Sales by the end of February.
Artwork by Nick Bachman for the Dan Gellert "Epic Set" from Old-Time Tiki Parlour.

Wednesday, January 14, 2015

A Strapping Young Banjo Player

It may seem like a silly notion, but a new strap might be helping me play more banjo. For the longest time, I had a homemade strap fashioned from a leather belt blank, some grommets and leather shoelaces. It worked fine, but it was a royal pain in the you know what to put on and take off. For Christmas, I received a brown Neotech Slimline Strap, and I couldn't be happier.

As shown in this video, the attachment loops have a quick connect clasp for easy installation. Also, when I'm sitting down to play, I can quickly remove the strap without removing the attachment loops.

Furthermore, the leather is attractive, and the overall strap seems very sturdy. The memory foam padding provides a high level of comfort, especially compared to my DIY strap that had no padding whatsoever.

However, the best thing about the strap is that I can stand up to play, and that new development has been a real boon to my playing time over the last month.

Having an active 16-month at home, sitting down to play has become almost impossible. My son will immediately come to my side, wedging himself between my knees and begin clawing at the strings. It's funny, but not conducive to serious playing.

Now, I can avoid his clutches and walk around to watch what else he's getting into (i.e., everything).

The only problem I've had with the strap is finding the perfect place to connect the loops. Unlike guitars, there's no set place to attach a strap, and you much find the balance point so you're not constantly pulling up on the neck to keep it at the optimum playing position. All in all, not a much a of a problem at all.

Monday, January 5, 2015

Happy New Year, Fourth Quarter of Leftwich, Second Fiddle Anniversary, Banjo Birthday and Welcome Back

Welcome back, banjo nerds. I took a much-needed hiatus over the solstice celebration, and I return to you fresh as a daisy. But in the intervening weeks between my last post and this one, I've missed a few milestones. So, Happy New Year! Now, let's get back into the swing of things.

Christmas marked three important anniversaries:
  1. Last year, I received the Brad Leftwich DVDs that I've been using to learn down-bow fiddling. In that time, I've made it through all of Lesson 1 and halfway through Lesson 2. The videos have greatly improved my bowing, though I know I still have a LONG WAY to go. I expect to finish Lesson 2 by June. By then I should have a nice repertory of tunes under my belt in various keys and tunings. 
  2. With that said, two years ago was when I bought my fiddle from my friend Guy and began this crazy journey. It's hard to believe it's been that long. The time has flown by, and it's been a heckuva challenge. 
  3. Finally, six years ago, I purchased my current banjo. It's been a good workhorse, despite many urges to get something else. That urge has instead manifested itself in learning different ways to tweak my instrument or learn new things. I love my current set-up, and a new strap (this year's Christmas present) has me getting used to standing up to play. With my one-year-old son around, standing is about the only way I can play without him grabbing at my strings.
The last year has been a good year for the fiddle, but the banjo was a bit neglected. As my wife and I were busy raising a baby, there wasn't much time to play tunes with others. Except for a couple parties and a festival, I mostly played by myself. In 2015, I hope to change that and reconnect with my old-time music community.