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Banjo Tinkering

There comes a time when you just want something different. Since we all can't own enough banjos to suit our varying tastes from day to day, a fact that our neighbors and loved ones no doubt celebrate, we must instead tinker with our instruments now and again to make new sounds. My banjo needs a tonal makeover. Right now it is set up with Ome heavy strings, a thin goatskin head and a 5/8-inch bridge of medium weight, all on a 12-inch rim with a Dobson-style tone ring. There is also a swatch of duct tape under the bridge and a wad of plastic grocery bags wrapped with tissue paper stuffed between the head and dowel stick to mute harsh overtones. Like many old-time banjo players, I'm always in search of the perfect "plunky" sound. However, I've come to the conclusion that stuffing the pot isn't getting the job done. While this practice cuts down on high-pitched brightness, it also kills the warm timbre associated with skin heads. Also, why have a tone ring if...

Difficult Balancing Act

Trying to learn the fiddle in the months before my wife delivers our first child has proven to be a tough task, especially when the weather gets nice and running starts to occupy more of my time. Don't even ask me about playing the banjo. The summer should be the time when I while away the evenings playing tunes on my porch, but that's easier said than done. Over the last few weeks, playing music has taken a backseat to running the local trails, barbecuing, mowing the lawn and, more recently, putting together furniture for the baby's room. Only in the last few days have I mustered the courage to see what feeble skills remain since the last time I played the fiddle or banjo. There are only so many hours in the day. And with so many interests, some are bound to get short shrift from time to time. My poor banjo has been neglected the most. My plan was to use jam sessions as my primary outlet for playing the ole five-string, but it's been a couple months since I...

Sittin' Next to Walt Koken in the Catbird's Seat: New Book

Aspiring banjo players are often told to go learn from the masters. One such master has made that task a little easier with the release of a new book of tunes . Walt Koken's upcoming release is a transcription of the tunes on last year's " Sittin' in the Catbird's Seat ," his first solo album in 15 years. Koken, of course, is well known in old-time music circles as a former member of the Highwoods Stringband , a current Orpheus Supertone , and co-conspirator of the " Milliner-Koken Collection of American Fiddle Tunes ." "Sittin' in the Catbird's Seat" features original and old-time tunes and songs played in clawhammer and three-finger banjo styles. Sources include Dock Boggs, Hobart Smith, Mississippi John Hurt, Frank Hutchison, French Carpenter, and Scott Joplin. The companion book is 48 pages long and printed in an oversized, easy-to-read format with spiral binding so that you can lay the book flat. The book is suitable fo...

The Biologist's Eye: A Look at the Artistry of Buckeye Banjos

Biology doesn’t sound like a standard resume item for a banjo builder, but don’t tell that to Greg Galbreath of Buckeye Banjos. Ever since starting his company in 2005, he has built a sturdy reputation and now boasts a waiting list of three and a half years for one of his custom-built banjos. With a background in conservation biology, Galbreath holds a master’s degree in ecology from Cornell University, in Ithaca, N.Y. Buckeye Banjos is based in Eggleston, Va., at the base of the company’s namesake, Buckeye Mountain, about 16 miles outside of Blacksburg, where Galbreath studied biology at Virginia Tech. Although Blacksburg lies an hour north of Galax, home of the famous fiddler’s convention, Galbreath got hooked on banjo and old-time music while living in Ithaca. After he finished his studies, he moved back to Southwest Virginia in 1996 to be closer to the source of the music. Upon returning to the region, he went searching for someone to teach him clawhammer banjo and found a...

New Event: Shore Folk Festival

Those of you in Northeast Ohio and the surrounding region might want to check out a new event this Saturday, Feb. 23. Starting at noon, the Shore Cultural Centre will host the inaugural Shore Folk Festival , which will include performances and workshops on music, poetry, dancing and art. Banjo enthusiasts will be happy to learn that there will be two workshops on their favorite five-stringed instrument, one on clawhammer, taught by none other than Mark Olitsky , and the other on bluegrass, taught by multi-instrumentalist Paul Kovac . Olitsky has asked locals to get behind this fledgling event. "If you can make it, it would be great to get as much support from the old-time community as possible," he wrote in an e-mail. "There should be a lot of possibility to jam and drink beer." Olitsky's workshop starts at 2 p.m. The direction of the class will depend heavily on the attendees, so be prepared to ask some questions. However, he does have an intriguing ...