Skip to main content

Belated Quarterly Report: Moving on from "Three Forks of Reedy"

Considering my goal was to learn four more Ward Jarvis tunes this year, a quarterly update on my progress seems like a good idea. However, if that were the case, this post should have appeared a month ago. Apologies for the tardiness of something you didn't know was coming. I'll strive to do better next time.

For this Second Year of Ward Jarvis, I started with "Three Forks of Reedy," which was a holdover from last year's overzealous attempt to learn six tunes. I actually started working on it in November, but got stuck. Since then I've noodled with how I play it several times. I think I've finally gotten close, but feel like I'm still missing something.

In the attempt to figure out my shortcoming, I consulted The Milliner-Koken Collection of American Fiddle Tunes. "Three Forks of Reedy" is not included, but I had read on the Fiddle Hangout that Jarvis' tune had come from Ed Haley's "Three Forks of Sandy," which is in the book. Upon comparing the two, however, I couldn't find any similarity whatsoever.

As this was the first Jarvis tune that I've had to rely solely on audio recordings to figure out, I was worried that I didn't hear the resemblance between the two "Three Forks" tunes because my playing was just that far off.

But when I play along with Jarvis' recording, it doesn't sound that far off. I feel like I'm missing a note or a bowing nuance here and there. Maybe it's time I just chalk it up to the "folk process" and realize that this is just how I play the tune right now. It doesn't mean I have to be done tweaking.

I'm comfortable enough with my playing of "Three Forks of Reedy" to move on to the next tune on my list, which is another G tune, "Leather Britches." This tune was among those I've identified as part of the common repertoire of Ohio fiddlers, as are the final two tunes on this year's to-learn list, "Forked Deer" and "Grey Eagle."

My first official attempts to play "Leather Britches" were on April 7, though I began listening intently to Jarvis' version of this tune the week or so prior. My source recording is the Field Recorders' Collective release of Ward Jarvis, from the collection of Jeff Goehring (FRC402).

This is another tune that isn't in the Milliner-Koken book, at least not by Jarvis. Instead, it has versions of "Leather Britches" by Earl Johnson, Doc Roberts, Jim Bowles and Boyd Asher.

To my ear, Jarvis' playing is similar in part to the Roberts and Bowles versions. Because I can't sight-read standard notation, I transcribed both versions into a rudimentary tablature to get a general idea of the fingering before I really dig into how Jarvis played it. So far, I'm hopeful this tune will be easier to learn than "Three Forks of Reedy."

[Photo note: As the captions format on Blogger look bad, I'll just give you that information down here. Pictured is Ward Jarvis (left) with Jeff Goehring at Jarvis' house in Athens County, Ohio. Jarvis was one of Goehring's early influences. Photo courtesy of Kerry Blech.]

Comments

Popular posts from this blog

The Ultimate Banjo Joke Compendium

This post is dedicated to my friend Joel Specht. Ever since the Olitsky & Moskovitz concert last month, my son has been obsessed with banjo jokes. During one of the MANY tuning breaks, they asked the crowd to fill the time by telling their favorite quips about the old five-string. Joel told many that night. I've been trying to remember them, along with best ones I've heard over the years for when my son asks again, so I thought I'd make this list. Question: What's the difference between a banjo and an onion? Answer: Nobody cries when you cut up a banjo. Question: How do you know if the floor is level? Answer: The banjo player is drooling out of both sides of his mouth. Question: What's the difference between a banjo and trampoline? Answer: You take your shoes off to jump on a trampoline. Question: What's the definition of perfect pitch? Answer: When you can throw a banjo into a dumpster without hitting the sides. Question: How do yo

Clawhammer Picks and You: A Review

Clawhammer picks are a useful tool for increasing volume or to overcome fingernail challenges, such as broken, too short or weak nails. There are all sorts of commercial and homemade solutions available for banjo players, but it can be difficult to decide which options to choose. Thankfully, I've already done some of the work for you. Just to be clear, I prefer my natural fingernail for frailing. However, there was a time when I experimented with regularly using a pick, and there are instances now where I find that a pick is necessary. Today, I'll take you through the five options I've tried. These are all available online at prices ranging from about $1 to $13. Reversed/Reshaped Dunlop Pick ($0.75) This was the most common suggestion before other companies started addressing the gap in the clawhammer pick market. Take a bluegrass pick, flatten it out and wear it backwards. The problem is that it's hard to get the fit right. While Dunlop picks are cheap and r

Summer Blockbusters: Top 10 Banjo Movies

We’re nearing the end of the summer movie season, which this year has included blockbusters like Avengers: Infinity War , Solo: A Star Wars Story , Incredibles 2 and other movies, including some that weren’t produced by Disney. However, none of these films showcases a banjo in any way. It's not like the banjo hasn't been featured on the silver screen throughout film history. The five-string has starred in numerous movies, sometimes in its proper context as a musical instrument and other times as a comedic prop. Whether making a cameo or starring in the hands of the main character, it's well past time to present my Top 10 Banjo Blockbusters: O Brother Where Art Thou? (2000) Written and directed by Joel and Ethan Coen, this movie sucked me into the realm of old-time , bluegrass and country music in general. The banjo is featured in a number of songs on the soundtrack and shows up on screen a few times throughout the movie. Top Banjo Moment: Delmar picks the banjo b