In January I dubbed this the "Year of Ward Jarvis." My intention was to start learning the repertoire of what I've come to call the Ohio River Valley Fiddlers, primarily those old-time musicians who lived in Kentucky, Ohio and West Virginia. Starting with the repertoire of Jarvis, an Athens County, Ohio-based fiddler, I identified six of his tunes to learn from the field recordings by Jeff Goehring and David Brose.
Those tunes were:
I decided to start with Jarvis because I already owned some of his music and because I had secondary recordings by Goehring that I could also use as a source. In fact, it was through Goehring's fiddling on the Field Recorders Collective album "Jeff Goehring with Friends & Family" that I first learned of Jarvis. It seemed like every time I heard that made go, "Ooh! What was that?" The tune turned out to be one that Goehring learned from Jarvis.
In addition to the source recordings, I also relied heavily on notation found in The Milliner-Koken Collection of American Fiddle Tunes. The first four tunes I learned were all available in written form in the book.
Through the combination of using software to slow down and play along with the recordings and translating the standard notation to a basic fiddle tablature, I made pretty good progress. It seemed like a tune every two months would be no problem. But then I got to "Three Forks of Reedy."
I only had Jarvis's recordings to go by for the last two tunes on my list. I have found a couple banjo versions of "Three Forks of Reedy" on YouTube, but no other fiddle versions. My progress slowed down rapidly. Right now, after about a month and a half, I have a rough sketch of the tune.
Here's a recording I made Dec. 13.
Here's the source.
Considering it's halfway through December, there's no way I'll even start messing around with "Cattle in the Cane" until next year.
With all that in mind, now seemed like a good time to reflect on the past year in relation to my learning the fiddle and playing the banjo.
It has been a great challenge learning these tunes mostly by ear. I know that I still have a lot of opportunity to improve my intonation and bowing, but I feel like I'm continually making progress.
One drawback of focusing on these Jarvis tunes is that it has made me feel a little secluded in my playing. That's coupled to the fact that I haven't gotten out to play in as many old-time sessions this year as I would have liked. When I have had those opportunities to play with others, I didn't have the confidence to introduce or lead one of these Jarvis tunes.
Those tunes were:
- "Head of the Creek"
- "Icy Mountain"
- "Tomahawk"
- "Pretty Little Indian"
- "Three Forks of Reedy"
- "Cattle in the Cane"
Photo by Kerry Blech, c. 1977 |
In addition to the source recordings, I also relied heavily on notation found in The Milliner-Koken Collection of American Fiddle Tunes. The first four tunes I learned were all available in written form in the book.
Through the combination of using software to slow down and play along with the recordings and translating the standard notation to a basic fiddle tablature, I made pretty good progress. It seemed like a tune every two months would be no problem. But then I got to "Three Forks of Reedy."
I only had Jarvis's recordings to go by for the last two tunes on my list. I have found a couple banjo versions of "Three Forks of Reedy" on YouTube, but no other fiddle versions. My progress slowed down rapidly. Right now, after about a month and a half, I have a rough sketch of the tune.
Here's a recording I made Dec. 13.
Here's the source.
Considering it's halfway through December, there's no way I'll even start messing around with "Cattle in the Cane" until next year.
With all that in mind, now seemed like a good time to reflect on the past year in relation to my learning the fiddle and playing the banjo.
The Good
The Year of Ward Jarvis gave me clear direction for my playing goals this year. Now, that I've moved beyond using instructional books and videos, I felt it was important to have something to guide my playing. Learning these tunes gave my playing a purpose. I always knew how I was doing, where I needed to improve and what I was going to do next.It has been a great challenge learning these tunes mostly by ear. I know that I still have a lot of opportunity to improve my intonation and bowing, but I feel like I'm continually making progress.
The Bad
Choosing six tunes was two too many. I probably rushed a bit on some of the tunes in order to start on the next one and keep on track for the year. I'm already considering a second set of Ward Jarvis tunes to learn in 2018. If I follow through on that plan, I'll keep my list limited to four.One drawback of focusing on these Jarvis tunes is that it has made me feel a little secluded in my playing. That's coupled to the fact that I haven't gotten out to play in as many old-time sessions this year as I would have liked. When I have had those opportunities to play with others, I didn't have the confidence to introduce or lead one of these Jarvis tunes.
Ward Jarvis is my great great grandpa. I play banjo and fiddle. I just met my biological father Ray Jarvis last year and got to know who my family on my dad's side. I discovered who my great great grandpa was. I been playing banjo 8years. I picked up fiddle last year after discovering my great great grandpa
ReplyDeleteThank you for your comment! That's a really cool story. Good luck on your journey.
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