There comes a time when you just want something different. Since we all can't own enough banjos to suit our varying tastes from day to day, a fact that our neighbors and loved ones no doubt celebrate, we must instead tinker with our instruments now and again to make new sounds. My banjo needs a tonal makeover. Right now it is set up with Ome heavy strings, a thin goatskin head and a 5/8-inch bridge of medium weight, all on a 12-inch rim with a Dobson-style tone ring. There is also a swatch of duct tape under the bridge and a wad of plastic grocery bags wrapped with tissue paper stuffed between the head and dowel stick to mute harsh overtones. Like many old-time banjo players, I'm always in search of the perfect "plunky" sound. However, I've come to the conclusion that stuffing the pot isn't getting the job done. While this practice cuts down on high-pitched brightness, it also kills the warm timbre associated with skin heads. Also, why have a tone ring if
How to learn to stop worrying and love the twang. A journey into old-time music.