The Glory-Beaming Banjo

Thanks to the pandemic, my daily playing streak has reached an unbeatable (for me) 500 days in a row. With typical yearly travel obligations for work on hiatus since a year ago, I pushed my record to height that would have otherwise been impossible.  Quite frankly, over the last few months, my streak had started to almost feel like a weight on my shoulders. I've hardly played for longer that 5-10 minutes per day for a few weeks. I've been putting in the bare minimum to keep my streak alive.  In January, I decided I would make it to the nice round number of 500 and then take today off. Today, is that day off.  The idea of trying to play banjo and fiddle everyday, even if just for five minutes, came in 2018 . The merit of short bursts of practice was inspired by Tom Collins of Banjo Blitz fame (now Banjo Quest). I used to feel like if I couldn't fit in at least 30 minutes, then it wasn't worth it. When I reduced that threshold to five minutes, I suddenly found myself str

David Brose died in January. I didn't know the man personally, but he had a significant impact on my journey into learning old-time music. Through his work as a folklorist, Brose was responsible for the bulk of the available recordings of Ward Jarvis, a fiddler and banjo player who lived in Athens County, Ohio.  While I was introduced to Ward Jarvis through the Field Recorders' Collective , the world of his fiddling and banjo playing really opened up to me when I received a copy of Brose's field recordings made in the mid- to late 1970s. Brose went on to produce two albums released in 1979 that featured Jarvis for Ohio Folklife and the Ohio Arts Council, Rats Won't Stay Where There's Music with his sons and Traditional Music Music From Central Ohio with a variety of other musicians from the region.  Thanks to these recordings, I was able to learn tunes like "Icy Mountain," "Tomahawk," "Pretty Little Indian" and others as part of my Ye