The Glory-Beaming Banjo

Allison de Groot was named a recipient of the 2024 Steve Martin Banjo Prize . She rose to prominence over the last decade playing alongside Bruce Molsky as a member of the Mountain Drifters as well as in a duo with fiddler Tatiana Hargreaves .  De Groot hails from Winnipeg, Manitoba, in Canada, and she has received two Canadian Folk Music Awards and a Juno nomination. She recently launched her online banjo instructional program on the ArtistWorks platform. I've had the opportunity to see de Groot in concert twice, once with Molsky and once with Hargreaves. She is a versatile player, whose style effortlessly balances driving rhythm for raucous dance tunes and breakdowns, while elevating lyrical melodic phrases. She can match the fiddle note for note, but also is adept at exploring harmonic counter melodies. De Groot is well deserving of the Steve Martin Banjo Prize, which has been presented annually since 2010 and has been presented by the nonprofit group, the Fresh Grass Foundati...

Travel interrupted my playing time in May, but at the same time it afforded me a chance to build on my collection of vintage old-time records. While out of town for my job, I located a nearby record store that turned out to be a bit of an old-time music honey hole. I actually had to put back a couple albums because my wallet wouldn't allow them to come home with me. But I was very happy to snag three awesome records that have been on my want list for a number of years.   Wilson Douglas, The Right Hand Fork of Rush's Creek (1975, Rounder Records): The first album I found in the folk/bluegrass section of Electric Fetus in Minneapolis was this excellent collection of fiddle tunes by Clay County, West Virginia, fiddler Wilson Douglas. He is accompanied by Roy Tolliver on banjo and Douglas Meade on guitar. Douglas came from a musical family, which also had ties to the Carpenter and Morris families in the region. This album is jam packed with 24 tracks, including some brilliant re...

There is a new festival coming up that I wanted to put on your radar. I recently learned of the inaugural Banjos & Bigfoot Festival  on Saturday, June 8, at Salt Folk State Park in Lore City, Ohio.  This sasquatch-themed event -- or as we call it, the Ohio Grassman -- will feature music, vendors and food trucks from 11 a.m. to 5:30 p.m. at the Kennedy Stone House and the surrounding area.  I reached out to the event organizer, Salt Fork Naturalist John Hickenbottom with the Ohio Department of Natural Resources, and he said this year's event will serve as a "metric to gauge the success of this event in the future."  While Hickenbottom said the Banjos & Bigfoot Festival  will be small, he added that the event will "have a local bluegrass group and a couple musicians who will be gathering around picking, there is a local vendor and there will be food trucks." I specifically asked if they would have festival T-shirts based on that wonderful graphic above, b...

April seems to have brought a bit of a lull to my banjo and fiddle playing. This blog has also felt a bit stagnant. Is this just the April showers that will bring May flowers?  I hope so.  This month has seen my least amount of hours spent playing music this year. And yet, I'm still on track to reach my stretch goal for the year, thanks to cushion I built up during the last few months . That's the silver lining to this dreary cloud.  And boy, has it been cloudy! While there have been splashes of sunshine in Northeast Ohio in April, it feels like we've gotten drenched with rain. The temperature has varied wildly from highs in the 70s and lows in the 40s. I'm ready for porch picking weather.  That said, I have enjoyed a couple days of playing on the porch, one of which was jamming with my son, who recently started playing guitar. The neighborhood was treated to a duet of clawhammer banjo and electric guitar. (Don't worry, I have the acoustic guitar I'm going to ge...

March has been a relatively quiet month. However, I've maintained my pace to achieve this year's playing time goal so far. Aided by a jam in January and a festival in February, I've actually managed to stay ahead of the curve. With a few days left in March, I have amassed a total of 42 hours of playing time (21.5 banjo, 20.5 fiddle). If I keep this up, I'll reach 168 hours, exceeding my stretch goal of 150 hours.  Of course, a lot can change between now and December, but it's encouraging that I've maintained such a steady pace of playing banjo and fiddle these past three months.  As a reminder, I played 41 hours on each instrument for a total of 82 hours last year, so my minimum goal is to reach 42 hours on each instrument (total: 84 hours) in 2024, and I'm already halfway to reaching that goal. However, my primary goal is to surpass my 2022 total by playing 62 hours on each instrument (total: 124 hours). As I already mentioned, I'm currently on pace to...

This year's Lake Erie Folk Festival dedicated a whole track of its free daytime program to Ohio-centric folk music. Two workshops, presented by Columbus-based old-time musician Henry Barnes , focused exclusively on fiddle tunes from the Buckeye State.  Seeking out Ohio-based old-time tunes has been a subject near and dear to my heart, as I've attempted to identify a common fiddle tune repertoire , uncover uniquely Ohio tunes and seek out my state's most influential old-time musicians .  Barnes is much more accomplished in all of these areas, so it was exciting to meet and learn from him at the Lake Erie Folk Festival on Saturday, Feb. 2, at the Thwing Center on the Case Western Reserve University campus in Cleveland.  Barnes presented three workshops during the festival:  Learn Ohio Fiddle Tunes Fiddle Bowing Exercises  Performing Ohio Fiddle Tunes (with Susie Goehring) I attended all three. However, I'll focus on the two presentations related to Ohio fiddle ...

More banjo duets have arrived. Mark Olitsky and Cary Moskovitz have released  Pretty Little Cats: Duets Two , available now to download via Bandcamp with CDs expected to ship by Feb. 20. As foreshadowed in November , the duo has returned with the follow-up to their much-loved 2017 album, Duets .  Like its predecessor, Pretty Little Cats features 17 tracks highlighting the interweaving harmonies of Olitsky's bassy clawhammer and Moskovitz's sparkling plectrum banjo playing. Once again, Olitsky is armed with his 13-inch homemade grain-measure five-string banjo, while Moskovitz plays rotating arsenal of 1920s four-string banjos.  Some of my favorite moments on the new album are when Olitsky and Moskovitz seem to leap out of the gates matching each other note for note on the melody, and then suddenly their playing veers off and dances around one another, weaving in and out as they each take turns leading, always driving forward. The interplay between their seemingly dispar...

Every year, I start out the same way. Here are a list of goals. And when December comes, I look back on how it all went off the rails. With a mental cocktail mix of imposter syndrome and an inferiority complex, I've developed an ethos of constant improvement when it comes to playing old-time music. However, as a working stiff and a family man, I've come to accept the ebbs and flows of available bandwidth to focus on the banjo and fiddle.  Last year, was a down year. So naturally, I want to do better this year. However, I also want to be realistic. In the past, I've set somewhat rigid goals, and when I miss my target, I feel disappointed in myself. With the Super Bowl just around the corner, perhaps a football metaphor is in order. While the endzone never moves, sometimes a team winds up getting farther away from the goal line, rather than moving closer. Luckily, there is more than one way to score points. Of course, sometimes you might have to punt.  With that garbled messa...