Doug Unger died last month, and the banjo community lost a legend. Although I did not know him well, I was a great admirer of Unger's artistry and craftsmanship, from his bucolic paintings to his ornate banjos, as well as his thoughtful musicianship. But Unger always seemed a bit mysterious to me. He could be prickly but generous, curt but welcoming. I first knew him by reputation as a cantankerous art professor at Kent State University. I never took any of his classes, but I have friends who did. But then I took up the banjo in 2008, and it wasn't long before I learned of Doug Unger, the banjo builder. Unger was renowned for his expert pearl inlay and engraving work, as well as his decorative wood carving. Unger built some of the most beautiful banjos in the world, as well as other instruments, including "pocket mandolins," some examples of the which reside in the Smithsonian collection. What made him a master craftsman was the fact that, in addition to building thes...
Running a bit late on this quarterly report. September closed out a rollercoaster of a Q3 on a high note. The Happy Hollow Old-Time Music Gathering was a particular highlight of the the last three months, and perhaps the most fulfilling musical event I've experienced this year. After writing a preview about the event last time, I embraced an opportunity to drive three hours south to Nelsonville, Ohio, to camp and play tunes for a delightful weekend to end the month. From Thursday through Saturday, Sept. 24-27, I attended several workshops and jams. Two of workshops I attended focused on Ohio tunes, presented by Whitt Mead, one for fiddle and the other for banjo. Coincidentally, two of the tunes taught appear on my " Ohio Dozen " list that I compiled in 2023, and another I included on my list of common tunes from Buckeye State fiddlers . Two of the workshops I attended were hosted by fiddler Rhys Jones, one on bowing fundamentals and another on old-time fiddle standar...