The Glory-Beaming Banjo

When I pre-ordered my copy of the Allison De Groot and Tatiana Hargreaves self-titled debut album from Free Dirt Records, I also ordered the seven-inch single from Anna & Elizabeth featuring their take on the traditional songs “Hop High” and “Here in the Vineyard.”  The two tracks were released in 2017 and serve as a kind of proving ground for the experimental approach to traditional music the duo would present on the their 2018 full-length, The Invisible Comes to Us , released on Smithsonian Folkways. GBB reviewed that album in May last year .  With the help of producers Alec Spiegelman and Benjamin Lazar Davis (who are members of avant-pop outfit Cuddle Magic), Anna & Elizabeth re-imagine “Hop High” and “Here in the Vineyard” employing their ethereal aesthetics, with haunting and delicate harmonies surrounded by unexpected instruments like pump organ, woodwinds, strings and electronics, as well as banjo tunings that were reportedly inspired by the Indonesian gamel

The debut self-titled album by Allison De Groot and Tatiana Hargreaves is the most exciting new old-time album I’ve heard in years. The duo represents the modern generation of tradition bearers, but they don’t shy away from making the the music their own. In keeping with a modern outlook, they also overtly declare their aims to be more inclusive and recognize the contributions from minority populations to the old-time music community. In the liner notes, they include a mission statement of sorts: “As two musicians who have come from outside of the cultural and geographic communities this music originated in, we are so appreciative of those who have welcomed us and shared their musical and cultural knowledge. We would like to thank all of the musicians who came before us, especially those who never received the credit they deserved: the Indigenous, Black, Queer and female musicians who weren’t always visible but kept, and still keep the music moving forward.” As such, almost hal

First of all, all apologies for the monthlong gap between this post and the last one . Things got a bit heavy with my professional workload and general seasonal affectation demotivation. But I'm back, and I have some ideas for my next couple posts. But first, let's get this one out of the way.  As I'm wont to do , here's my review of my old-time music activities for the First Quarter 2019. My navalgazing blogger version of a corporate earnings report shows that I logged 47.5 hours on fiddle and 12.5 hours on banjo, attended two jams and one festival. My fiddle tune for this quarter was "Arkansas Traveler." I learned a very basic version that I figured I could eventually work into something more interesting later on. The main thing was to use the tune as a means to improve my basic rhythm, and I think I've achieved that.  On the banjo, I successfully learned to sing (that's a relative term) and play "Mole in the Ground." That went