The Glory-Beaming Banjo

July 2 is exactly the midpoint of the year, with 182 days preceding and 182 days to follow. It seems like a good time to reassess my goals for 2025. In years past, I would post my goals in January. This year, I didn't even bother doing that. I figured you probably get tired of constantly hearing how I'm behind on my playing goals, so guess what?  I'm behind on my playing goals this year.  I totally missed two months of playing, not playing at all in March and May. However, I started to get back into a groove in June. I'm hoping to use that momentum for second half push to get back to playing music regularly.  I typically set three playing time goals each year: a primary goal, a minimum goal and a stretch goal. I was hoping to reach 100 hours of combined playing this year, with a minimum goal of beating last year's total of 85 hours and a stretch goal of 124 hours.  Having missed two whole months and topping out at a combined 5.5 hours in February, the only goal ...

Look, I'm well aware that I haven't been posting much. I feel like I've been stuck in a rut ... a month's long rut. Awhile back I saw a link to a banjo podcast with an interview with Cleveland-base banjo player Mark Olitsky , and I finally got around to listening to it today. And now, I want to make sure you all have a chance to hear it. The interview was posted in September 2024, so this isn't exactly breaking news. But with all the news that's been breaking lately, I think some old news would do us some good.  I've recommended the podcast Get Up in the Cool before. Host Cameron DeWitt always seems to find some great guests to interview. And last September, he interviewed Olitsky on the subject of "Changing as a Musician."  If you've read this blog for any amount of time, you would know of my appreciation for Olitsky's banjo prowess. I did my own interview with the man I called "The Banjo Wizard of Cleveland" back in 2011. It r...

Allison de Groot was named a recipient of the 2024 Steve Martin Banjo Prize . She rose to prominence over the last decade playing alongside Bruce Molsky as a member of the Mountain Drifters as well as in a duo with fiddler Tatiana Hargreaves .  De Groot hails from Winnipeg, Manitoba, in Canada, and she has received two Canadian Folk Music Awards and a Juno nomination. She recently launched her online banjo instructional program on the ArtistWorks platform. I've had the opportunity to see de Groot in concert twice, once with Molsky and once with Hargreaves. She is a versatile player, whose style effortlessly balances driving rhythm for raucous dance tunes and breakdowns, while elevating lyrical melodic phrases. She can match the fiddle note for note, but also is adept at exploring harmonic counter melodies. De Groot is well deserving of the Steve Martin Banjo Prize, which has been presented annually since 2010 and has been presented by the nonprofit group, the Fresh Grass Foundati...

Travel interrupted my playing time in May, but at the same time it afforded me a chance to build on my collection of vintage old-time records. While out of town for my job, I located a nearby record store that turned out to be a bit of an old-time music honey hole. I actually had to put back a couple albums because my wallet wouldn't allow them to come home with me. But I was very happy to snag three awesome records that have been on my want list for a number of years.   Wilson Douglas, The Right Hand Fork of Rush's Creek (1975, Rounder Records): The first album I found in the folk/bluegrass section of Electric Fetus in Minneapolis was this excellent collection of fiddle tunes by Clay County, West Virginia, fiddler Wilson Douglas. He is accompanied by Roy Tolliver on banjo and Douglas Meade on guitar. Douglas came from a musical family, which also had ties to the Carpenter and Morris families in the region. This album is jam packed with 24 tracks, including some brilliant re...